Understanding the New York Mayor's Sartorial Choice: The Garment He Wears Tells Us Regarding Modern Manhood and a Changing Society.
Coming of age in the British capital during the 2000s, I was always immersed in a world of suits. They adorned businessmen rushing through the Square Mile. You could spot them on dads in Hyde Park, playing with footballs in the golden light. Even school, a cheap grey suit was our mandatory uniform. Historically, the suit has functioned as a costume of seriousness, signaling authority and performance—traits I was told to aspire to to become a "man". However, before lately, my generation seemed to wear them infrequently, and they had all but disappeared from my consciousness.
Subsequently came the newly elected New York City mayor, Zohran Mamdani. Taking his oath of office at a private ceremony wearing a subdued black overcoat, crisp white shirt, and a distinctive silk tie. Riding high by an ingenious campaign, he captured the world's imagination unlike any recent mayoral candidate. Yet whether he was celebrating in a music venue or appearing at a film premiere, one thing was largely constant: he was frequently in a suit. Relaxed in fit, modern with soft shoulders, yet conventional, his is a quintessentially middle-class millennial suit—that is, as typical as it can be for a cohort that rarely chooses to wear one.
"The suit is in this weird place," notes men's fashion writer Derek Guy. "Its decline has been a gradual fade since the end of the second world war," with the real dip coming in the 1990s alongside "the advent of business casual."
"Today it is only worn in the most formal locations: marriages, funerals, and sometimes, court appearances," Guy explains. "It is like the kimono in Japan," in that it "essentially represents a tradition that has long retreated from daily life." Numerous politicians "wear a suit to say: 'I represent a politician, you can trust me. You should vote for me. I have authority.'" Although the suit has traditionally conveyed this, today it performs authority in the hope of gaining public trust. As Guy elaborates: "Because we are also living in a democratic society, politicians want to seem relatable, because they're trying to get your votes." To a large extent, a suit is just a nuanced form of performance, in that it enacts masculinity, authority and even closeness to power.
This analysis stayed with me. On the rare occasions I require a suit—for a wedding or black-tie event—I dust off the one I bought from a Tokyo department store several years ago. When I first selected it, it made me feel refined and high-end, but its slim cut now feels passé. I imagine this feeling will be all too recognizable for numerous people in the diaspora whose parents come from other places, especially global south countries.
It's no surprise, the working man's suit has fallen out of fashion. Like a pair of jeans, a suit's shape goes through cycles; a specific cut can thus characterize an era—and feel quickly outdated. Take now: more relaxed suits, reminiscent of Richard Gere's Armani in *American Gigolo*, might be in vogue, but given the price, it can feel like a considerable investment for something likely to be out of fashion within a few seasons. But the attraction, at least in certain circles, endures: in the past year, major retailers report suit sales increasing more than 20% as customers "move away from the suit being daily attire towards an desire to invest in something exceptional."
The Politics of a Accessible Suit
Mamdani's preferred suit is from a contemporary brand, a Dutch label that sells in a mid-market price bracket. "Mamdani is very much a reflection of his upbringing," says Guy. "A relatively young person, he's neither poor nor extremely wealthy." Therefore, his mid-level suit will resonate with the group most inclined to support him: people in their thirties and forties, university-educated earning middle-class incomes, often discontented by the expense of housing. It's exactly the kind of suit they might wear themselves. Affordable but not lavish, Mamdani's suits plausibly align with his stated policies—such as a rent freeze, constructing affordable homes, and free public buses.
"It's impossible to imagine a former president wearing Suitsupply; he's a Brioni person," observes Guy. "As an immensely wealthy and grew up in that property development world. A power suit fits naturally with that tycoon class, just as attainable brands fit well with Mamdani's cohort."
The legacy of suits in politics is extensive and rich: from a former president's "shocking" beige attire to other world leaders and their suspiciously polished, custom-fit appearance. As one UK leader discovered, the suit doesn't just dress the politician; it has the power to define them.
The Act of Normality and A Shield
Perhaps the point is what one academic refers to the "enactment of banality", summoning the suit's historical role as a uniform of political power. Mamdani's particular choice leverages a deliberate modesty, not too casual nor too flashy—"respectability politics" in an unobtrusive suit—to help him appeal to as many voters as possible. But, some think Mamdani would be aware of the suit's historical and imperial legacy: "This attire isn't neutral; scholars have long pointed out that its contemporary origins lie in military or colonial administration." It is also seen as a form of protective armor: "I think if you're a person of color, you aren't going to get taken as seriously in these white spaces." The suit becomes a way of asserting credibility, perhaps especially to those who might doubt it.
Such sartorial "changing styles" is hardly a recent phenomenon. Even historical leaders previously wore three-piece suits during their early years. Currently, other world leaders have begun exchanging their usual fatigues for a black suit, albeit one without the tie.
"In every seam and stitch of Mamdani's image, the struggle between belonging and otherness is apparent."
The attire Mamdani chooses is deeply significant. "Being the son of immigrants of Indian descent and a democratic socialist, he is under pressure to meet what many American voters expect as a sign of leadership," says one author, while at the same time needing to walk a tightrope by "not looking like an elitist betraying his non-mainstream roots and values."
But there is an acute awareness of the different rules applied to who wears suits and what is interpreted from it. "That may come in part from Mamdani being a younger leader, able to assume different identities to fit the occasion, but it may also be part of his multicultural background, where code-switching between cultures, customs and attire is typical," commentators note. "White males can go unnoticed," but when women and ethnic minorities "attempt to gain the authority that suits represent," they must meticulously negotiate the expectations associated with them.
In every seam of Mamdani's official image, the tension between belonging and displacement, inclusion and exclusion, is evident. I know well the discomfort of trying to conform to something not designed with me in mind, be it an inherited tradition, the culture I was born into, or even a suit. What Mamdani's sartorial choices make evident, however, is that in public life, appearance is not neutral.